
Ask Madelyn: Troubleshooting Elongated Designs
I have been falling in love with overshot and have done several recent projects from Handwoven. My problem is that I am not, as hard as I try, able to beat my designs to square.
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I have been falling in love with overshot and have done several recent projects from Handwoven. My problem is that I am not, as hard as I try, able to beat my designs to square.

I am a “the longer the warp, the better” sort of weaver. I’ve discovered that if I plan a warp for a specific project and weave it, I develop ideas about variations I want to use on that warp while I’m weaving.



Chaining the warp with two hands may help you eliminate twisting of the warp as you beam.

Beaming on tightly and with even tension is important.

Madelyn describes the weave structure of stuffer rugs.

How do you get a consistent beat on a wide project?

What causes warp threads to break?

The treadling drafts in Handwoven are designed to be followed starting at the top (right under the tie-up) and working down. This is because we are accustomed to reading instructions (or text) working down a page rather than up a page.

How do you warp stripes that don't repeat for doublewidth weaving?

How do you wet-finish wool for the best results?