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Remembering my own progress in learning to weave, I conceived of Loom Theory: Eight and Over Eight Scarf Collection to help other weavers progress in their own weaving careers. Like many weavers, I started weaving on 4-shaft looms.
I've known many spinners who are loathe to sample and almost protective about weaving with their handspun yarns.
Holiday weaving is tricky. It’s not like making cookies or a pie, which you might start two days before, at the earliest. Weaving takes time and requires planning, and when the holidays are upon you, it’s too late.
I’m working with 16/2 cotton that I originally sett at 30 epi. That might be a great sett for plain weave, or even a scarf, but when I finally sampled my M’s and O’s pattern, I saw immediately that a sett of 36 was a better choice for towels.
Maybe I haven’t been paying attention, but I have never seen bead leno used as effectively as Deanna Deeds used it in her Bead Leno Scarf in the Loom Theory Four-Shaft Scarf Collection.
Twill and silk are a natural pairing for scarves. The floats in twill give silk opportunities to shine and reflect light, but they aren’t so long that they get caught on clothing or jewelry.
My mother didn't know she should fear cutting and sewing handwoven fabric—so she went ahead and did it.
As many times as you tell beginning weavers that it’s just yarn, most still worry about the whole warping the loom thing.
I recently heard the phrase, “If all you have is a hammer, everything looks like a nail,” and it caught my attention. After looking it up, I learned that is known as the “law of the instrument,” a term coined by Abraham Maslow in 1966. The concept
I don’t often have time to slow down and contemplate my weaving career and the events that have led me to becoming the editor of Handwoven. However, I joined Sarah Resnick’s podcast to do just that.
I’m at my happiest when I’ve got 1,000 ends to sley and thread. I love to see a disorganized warp become organized on my loom. I like to throw the shuttle and see the cloth develop and see my ideas become reality.
You can always start a weaving project from scratch: dream one up, find a draft. I do that, but I often use Handwoven to jump-start my projects, whether it is to explore a color combination I like or try a weave structure or yarn I’m not familiar with.
