
Ask Madelyn: Uneven Warp Ends
I warp from front to back. I have found that no matter what I do, my warp ends are at different lengths once they are threaded through the heddles. If I have a fairly wide warp, I usually wind more than one chain.
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I warp from front to back. I have found that no matter what I do, my warp ends are at different lengths once they are threaded through the heddles. If I have a fairly wide warp, I usually wind more than one chain.

What is the proper way to deal with changing weft color? Does one break and restart or carry the yarn up the edges?

Love to go out on the town but hate to take your big everyday purse to the theater or a nice restaurant? You need the Elegant Evening Bag from Easy Weaving with Little Looms 2018!

I have been using your method of tying on a new warp to an old one for several years. I’m wondering how you calculate warp length for the new warp. I’m not sure how to determine the amount of loom waste for the new warp and I don’t want to run out of it!

Madelyn gives her advice for tying on warps.

For this doublewidth Harrisville wool blanket from the Best of Handwoven: Doubleweave, Doublewidth! eBook, I decided to push the time I had with the warp at the loom by designing in the reed.

There isn’t really a way to translate an 8-shaft draft to four, but you can create similar effects by substituting a 4-shaft twill for an 8-shaft one or by using the same block weave you see in an 8-shaft project but reducing the number of blocks.

Sometimes two things come together and make a design come to life. That’s what happened when Angela K. Schneider looked at a rigid-heddle warp she had designed for a class and saw the colors of Mardi Gras. Her rigid-heddle Mardi Gras scarf came to life!

Deborah Jarchow placed two strips of plain-weave fabric on the diagonal to construct her clever and playful Play the Angles Poncho with the fold-down collar. You don’t need a big loom for this project; the two strips can be woven on a 12” rigid-heddle loom

Love trying new yarns but don’t know where to start? Then make sure to check out the Yarn Lab feature in every issue of Handwoven. In the March/April 2018 issue, Jenny Sennott plays with Halcyon Yarn’s Block Island Blend.

I say I love weaving, but there are a few things about it I’m not crazy about.

For the first 9 months of my time as editor of Handwoven, I passed an inkle loom every day on the way to my desk. It really bugged me. Someone had warped it with icky, thin yellow yarn and woven about 2 inches with the same yarn.