What Kind of Rigid-Heddle Weaver Are You?
What kind of weaver are you?
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What kind of weaver are you?
I know some weavers hem their towels before finishing in the washing machine and dryer. Do you have a preferred way?
Susan E. Horton’s Sweet Simplicity Towels are a simple weave combined with a classic color palette.
There are 14 possible tie-ups for a 4-shaft loom, and all of them can be accomplished with just four treadles--even if the draft is for six treadles!
One of my favorite parts of working on my Ancient Rose Scarf for the March/April 2019 issue of Handwoven was taking the time to research overshot and how it fits into the history of American weaving.
I've heard of something called a dummy warp, where some inexpensive yarn is tied to the apron rod and then the real warp is tied to that, so that the cheap yarn becomes the loom waste.
In her Texas Bluebonnets Towels Cheryl Leib beautifully captures the essence of the bluebonnet in warp and weft.
This simple, straightforward scarf uses 4 colors of 2/10 merino/Tencel. The warp has a main color and 2 accent colors, and the weft is another color altogether.
I love that Elisabeth Hill isn’t timid when she designs and weaves. She seems to have an uncanny sense of how color combinations and weave structures work together on the loom, and she jumps wholeheartedly into projects.
We thought it would be fun to take you behind the scenes at one of our more recent shoots: a set of workshops on doubleweave by the wonderful Jennifer Moore.
Do you dream of handweaving a traditional coverlet for your bed but don’t have a loom wide enough? For her Alaska Flag Doubleweave coverlet in the March/April 2019 issue of Handwoven, Sara Pate did just that.
I was delighted to see Madelyn van der Hoogt listed as the inspiration for Ann Weymouth’s Tied Overshot Journey Runner in the March/April 2019 issue of Handwoven.