
Ask Madelyn: Rayon Chenille Fringe
I wove a scarf with rayon chenille warp and a silk/cotton weft. Now I have a chenille fringe that is raveling away. What would be the best way to avoid a "bare" fringe for this scarf?
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I wove a scarf with rayon chenille warp and a silk/cotton weft. Now I have a chenille fringe that is raveling away. What would be the best way to avoid a "bare" fringe for this scarf?

Happy New Year, fellow weavers! I don’t know about you, but I like to take the first week of any new year to think about what I’d like to accomplish in the coming months.

Just about anyone is capable of winding a warp and weaving a scarf on a rigid-heddle loom, but weaving a wonderful scarf takes thought, planning, and sometimes a fair amount of patience. This is why I love Loom Theory: Rigid-Heddle Scarf Collection.

An elegant M's and O's infinity hood that will make you feel like a Hollywood starlet when it’s on and won’t have messed up your hair when you take it off.

Yes, weavers have access to a lot these days, but they don’t have nearly as many choices as handspinners. Handspinners who weave can create the most personal of textiles and weave that which no one else can.

Random design is a fascinating concept, but well-designed is also wonderful, and a good designer can do both. We didn’t randomly choose designers for the three Loom Theory 2018 lookbooks.

I am a beginning weaver (actually, a beginning-again weaver) and need help with yarn substitutions. I am using an older pattern from Handwoven, November/December 1996, “Man’s Scarf in Silk and Cotton.” It calls for 12/2 silk at 2,790 yd/lb.

I grouped these three questions together because they all involve the same kind of reasoning and knowledge related to designing around yarn. The first important step to take is to download the Master Yarn Chart.

I believe weaving is on the upswing. It may be strictly anecdotal and I may be biased (imagine!), but in the past few years, I’ve noticed many new weaving books being published, a surge in membership in my own weaving guild, and more interesting weaving.

I love weaving that boldly proclaims its complexity—the sorts of projects that make weavers and nonweavers alike ooh and ahh. Deflected doubleweave, for example, is bold and loud in all the best ways, a bit like the Dolly Parton of weaving.

Imagine this: the perfect day of weaving, when everything that could go right does go right.

The Handwoven January/February 2019 issue has a beautiful selection of five scarves and shawls woven with yarn blends by Anu Bhatia, Deb Essen, Nancy Dunlap, Sandra Hutton, and Pattie Graver.