
Fusion Sparkle Shawl
Want to weave a shawl that shimmers and shines? Look no farther than Nancy Dunlap’s delightful Fusion Sparkle Shawl from the January/February 2019 issue of Handwoven.
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Want to weave a shawl that shimmers and shines? Look no farther than Nancy Dunlap’s delightful Fusion Sparkle Shawl from the January/February 2019 issue of Handwoven.

I have a pattern that I’d like to use that calls for 8/2 cotton. However, my best quality cotton is 22/2. What substitutions do I have to make in terms of ends per inch, reed size, etc?

For some reason, as soon as the weather starts to get cold, I see people all over the internet rejoicing about sweater weather.

I am weaving a small table runner using 3/2 pearl cotton for warp and weft (red and green in the warp, white in the weft). I used a draft (#479, page 129) from Carol Strickler's A Weaver's Book of 8-Shaft Patterns, which I've modified a little.

There are very few times in my life I’ve wished I had a loom with more than 8 shafts. One of those times was when I first saw Nancy Dunlap’s astoundingly beautiful Majestic Royal Scarf from the November/December 2018 Handwoven.

Here are some Hanukkah crafts you can do with yarn.

Sarah Wroot’s working title for her Spin Off Winter 2019 article started as “The Cassimere Project” but became “The Cassimere Insanity.”

Laura Fry’s Silk Wall of Troy 8-shaft scarf from Handwoven Loom Theory: Eight and Over Eight Scarf Collection is the perfect project for when you want to relax at the loom and still produce something spectacular.

I was immediately smitten with Laura Fry’s Wall of Troy 16-shaft scarf in silk. Woven in robin’s egg blue, this scarf is the epitome of elegance.

Yarn tracking is something that happens to some yarns when they are woven in plain weave—but why and how?

I've recently become obsessed not only with shadow weave but also with the woman behind the Powell system. Do you happen to know anything about the life of Marian Powell? Where did she live? Did she leave any textiles behind?

Every time I look at Elisabeth Hill’s Happy Napkins (or Hapkins as she calls them) from the November/December 2018 Handwoven, I can’t help but smile. The sunny yellow combined with a simple twill band makes for a sweet and sophisticated napkin.