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It’s easy to feel that your first weaving projects are too simple, or that you’ll never be able to weave complicated patterns and complex cloth of your dreams. You will love the inspiration behind Marty Benson's Ring of Fancy Bath Mats from Handwoven
Looking at Donna Wildearth’s California Quail Scarf in Handwoven May/June 2018, I can’t help but grin. Even though the California quail is a different breed from the ones in my backyard, the color and designs in her scarf evoke those funny birds.
Before the creation of every great piece of art, the artist asked, “What if?” What if I use dots instead of brush strokes when painting a picture? For his huck towels in HandwovenMay/June 2018, Tom asked “What if” .
it should come as no surprise that some weavers have taken their love of music and turned it into cloth. Here’s Nancy Dunlap on her connection to music, weaving, and her Symphony No. 1 in Rep Minor (aka rep weave rug).
I found Tracy Kaestner’s approach to designing her Silk Blouse in a Wash of Color intriguing, and the resulting blouse spectacular. Using a colorful picture of a Guatemalan cemetery, she chose colors that emulated its colorful yet ethereal feeling and u
I warp from front to back. I have found that no matter what I do, my warp ends are at different lengths once they are threaded through the heddles. If I have a fairly wide warp, I usually wind more than one chain.
I am weaving a chenille afghan and using a temple to keep my edges straight. The afghan is 56” wide on loom, and I wanted the finished width to be about 50”. My question is what width should I set the temple to?
What is the sweet spot, and how often should you be advancing the warp so you're always weaving in it? Madelyn shares her keys to weaving in the sweet spot.
Most projects need some sort of finishing touches, whether it is knotting, twisting fringe, hemming, or clipping and sewing in ends. And even then, an experienced weaver will tell you that the project still isn’t finished.
I’ve taught a fair amount of beginning weaving on rigid-heddle and floor looms, and I’ve noticed that many beginners are self-critical about their selvedges and beat.
I’m wanting to weave my first piece in deflected doubleweave but I’m not sure how to handle the selvedges (I have to weave 4 picks of one color followed by 4 picks of another).
I have only been weaving for three years and am fascinated with doubleweave, but how do I determine the sett for a doubleweave project?
