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Lucienne Coifman wowed us with her Wavelets Rep-Weave Table Runner woven on 8-shafts. Rep weave as we know it has straight lines, but Lucienne, through a smart use of thin weft picks, was able to break those lines and make them wavy. You might think you k
Deborah Jarchow placed two strips of plain-weave fabric on the diagonal to construct her clever and playful Play the Angles Poncho with the fold-down collar. You don’t need a big loom for this project; the two strips can be woven on a 12” rigid-heddle loom
Deborah Bagley found booklets from the mid-1900s that feature pin loom weaving patterns that are anything but plain. She based her Pin-Striped Pin-Loom Pillow on float patterns she found that add texture, and then she added colors to enhance that texture.
For many of us, 2017 was a difficult year. Sarah H. Jackson turned to her loom to express her feelings about personal trials and tragedies affecting our nation and the world. The result is her Prayer Shawl woven in 4-shaft shadow weave.
I typically warp my loom front to back. However, lately I've been planning some projects that require much longer warps (8+ yards). I was told that if you are planning a long warp that it is best to warp a floor loom back to front because it allows you to
In the Endnotes from the March/April 2018 issue of Handwoven, Anita gives her thoughts on Cultural Appropriation vs Cultural Appreciation. —Christina
Love trying new yarns but don’t know where to start? Then make sure to check out the Yarn Lab feature in every issue of Handwoven. In the March/April 2018 issue, Jenny Sennott plays with Halcyon Yarn’s Block Island Blend.
Have you ever wondered why two yarns that looks great next to each other on the shelf combine to create a muddy mess? In her latest article, Deb Essen explains how to learn from her mistake and (not) choose colors.
I would love to be a weaver. I have a loom that I play around with. For some reason I just can't understand weaving terms or how a draft works. Is there a book or info anywhere to make this plain to me?
How do you know when it’s time to cut out or unweave? Here are some of the signs I’ve come to recognize. For some reason, I am not reluctant to cut out or unweave due to a threading or treadling error, but I struggle with an error in judgment or design.
We all know that weaving terminology is confusing. One beginning weaver wrote a poem about all the weaving terms she learned at The Weavers' School!
I recently bought an old counterbalance loom. I thought one of the advantages of the counterbalance design was that they tend to give a larger shed, but I'm weaving my first project on it, and the shed seems fairly small.
