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it should come as no surprise that some weavers have taken their love of music and turned it into cloth. Here’s Nancy Dunlap on her connection to music, weaving, and her Symphony No. 1 in Rep Minor (aka rep weave rug).
I found Tracy Kaestner’s approach to designing her Silk Blouse in a Wash of Color intriguing, and the resulting blouse spectacular. Using a colorful picture of a Guatemalan cemetery, she chose colors that emulated its colorful yet ethereal feeling and u
I warp from front to back. I have found that no matter what I do, my warp ends are at different lengths once they are threaded through the heddles. If I have a fairly wide warp, I usually wind more than one chain.
I am weaving a chenille afghan and using a temple to keep my edges straight. The afghan is 56” wide on loom, and I wanted the finished width to be about 50”. My question is what width should I set the temple to?
What is the sweet spot, and how often should you be advancing the warp so you're always weaving in it? Madelyn shares her keys to weaving in the sweet spot.
Kicking the weaving rock means trying new things without a really firm plan in mind. About 15 years ago, I wove a striped rep weave runner.
Madelyn gives her advice for tying on warps.
For this doublewidth Harrisville wool blanket from the Best of Handwoven: Doubleweave, Doublewidth! eBook, I decided to push the time I had with the warp at the loom by designing in the reed.
Kathleen Farling, like many weavers, loves samples, especially guild samples. One such sample spoke to her and led her to design and weave her Centuries in the Making Runner.
For A Scarf for a Man from Three Centuries, Allen picked an old weave structure (4-shaft bumberet) and then wove a scarf using yarn he dyed with traditional techniques and modern commercially dyed yarn.
Anita Osterhaug is taken by West African textiles and shows her appreciation in her Homage to Africa Scarf. Anita used traditional colors and a 4-shaft twill to honor African kilims and applied a simple block-print design inspired by bogolonfini prints.
Lucienne Coifman wowed us with her Wavelets Rep-Weave Table Runner woven on 8-shafts. Rep weave as we know it has straight lines, but Lucienne, through a smart use of thin weft picks, was able to break those lines and make them wavy. You might think you k
