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Not everything in your weaving studio needs to come from a weaving or yarn store. Here is a list of items in my studio from the hardware store:
One of the best parts of working for Handwoven is getting to know and learn from Interweave founder Linda Ligon.
Don’t ask me what 5 yards looks like unless I’m winding a warp.
In her Traditions article for the May/June 2017 issue, Elisabeth Hill muses on the metaphor of the unrbroken thread and how, through our art and our craft, we are all connected as weavers around the world and throughout time.
The temple will keep the warp threads parallel to each other so that the reed doesn’t rub on them.
When is a temple the most useful? Is it necessary?
How do you determine sett for boundweave, a weft-faced weave?
In her Yarn Lab from the March/April 2017 issue of Handwoven, Jodi Ybarra takes cotton and linen yarns loved by mutlti-shaft loom weavers and makes them sing on her rigid-heddle loom.
The projects found in the May/June 2017 issue of Handwoven take that peaceful feeling one step further and, in some cases, multiple steps further with exquisite finishing techniques.
You see a project you really love, but you don’t have the right yarns. You could order them, but you want to start weaving today. Here are some tips for using the yarns you have.
Novelty yarns are very familiar to knitters, but not something you find in a hard-core weaving shop. Why is this? I think it’s because knitters have a much easier time working fancy yarns into their projects.
Handwoven March/April 2017 celebrates Scandinavian weaving. Our designers combined hygge with beauty and style. We can’t decide if the issue offers an American take on Scandinavian weaving or a Scandinavian twist on American we
